STEF VAN OEVELEN

Fake news, 2018; Research on the relationship between text and images by reducing it to correctly show the usage of it.; newspaper, 340 x 500 mm, 16 pages, folded;

S.N.C.K.S., 2019; A collection made from 10 years Snoecks; magazine, 200 x 280 mm, 202 pages, glued binding;

Reverse Framework, 2018; Visual image grid; self cover publication, 210 x 297 mm, 36 pages, kettle stitch;

Turmoil, 2018; Graphic experiment with undefined text and a decolored grid; self cover publication, 150 x 210 mm, 12 pages, stapled binding;

Createshape(), 2018; Interactive geometric shapes based on the alphabet; alphabaet stencil, 100 x 200 mm, digital font, lasercut;

Dark Galleries, 2018; Typographic typesetting based on the structure of an analog film roll; self cover publication, 140 x 240 mm, 72 pages, kettle stitch;

Streep, 2018; Film rewritten as novel with conditional design as Meryl Streep's spoken words converted in to stripes and the length is based on how often they occur; self cover publucation, 115 x 160 mm, 700 pages, kettle stitch;

Vrijdagmiddag pauze, 2018; A collection of quick naked people; publication, 255 x 350 mm, 120 pages, glued binding;

B.RL.N, 2016; An visual identity of the crucial 8 hours before fall of the Berlin wall using a abstract collection of elements.; map, 890 x 1728 mm, 1 page, folded;

Republish, 2018; Interactive analogue and digital storytelling by having a cryptic conversation with a computer and yourself and ending up with an absurd readable story; publication, 210 x 297 mm, 412 pages, kettle stitich; Collaboration with Amelie Verleene, Stacy Suy and Lene Verschaeren

Kugelmugel, 2017; Experimental publication about a micronation created by using guidelines based on the vision of Kugelmugel; publication, 135 x 185 mm, 56 pages, ruber band binding; Collaboration with Elisa Wij, Victor Geldhof, Arno Huygens, Lukáš Dobeš and Valerie Paradis

Maandag 3 juni, monday June 3, le 3 juin lundi, 2019; Collection of today's newspapers; publication, 175 x 270 mm, 680 pages, kettle stitch;

Reverse Framework, 2018; Visual image grid; self cover publication, 210 x 297 mm, 36 pages, kettle stitch;

Babbelen, 2015; Conversation between me and myself about the library of babel; self cover publication, 195 x 245 mm, 340 pages, kettle stitch;

Trust me, I'm friendly, 2018; Visual identity about the distrust in artificial intelligence; self cover publication and poster series, 140 x 190 mm, 40 pages, kettle stitch;

Vrijdagmiddag pauze, 2018; A collection of quick naked people; publication, 255 x 350 mm, 120 pages, glued binding;

S.N.C.K.S., 2019; A collection made from 10 years Snoecks; magazine, 200 x 280 mm, 202 pages, glued binding;

Createshape(), 2018; Interactive geometric shapes based on the alphabet; alphabaet stencil, 100 x 200 mm, digital font, lasercut;

The dark carnival of humanity's most wretched impulses, 2019; An analogue and safe way to experience the internet; publication, 215 x 285 mm, 44 pages, spiral binding;

Dark Galleries, 2018; Typographic typesetting based on the structure of an analog film roll; self cover publication, 140 x 240 mm, 72 pages, kettle stitch;